- Preorder item
- Fulfilled by seller
- Custom Quote
- Members only
The item will ship as soon as it is available
- Description
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The Exo series began with the creation of the Lotus Table, our most popular pattern yet in the Exo variety. The Lotus II pattern is an evolution of that first Lotus drawing, with cells becoming more fluid; grown in a way that nature would intend. The Lotus II Exo Mirror is the first hardwood edition of the series. James didn't want to just put a mirror on the back where you could see the reflection of the back of the pattern in the reflection of the mirror. To achieve this, the pattern was milled out of solid Walnut and then each mirror was cut out to fit every little void.
The result is an intricate, decorative piece, with mirrors to enlarge and brighten the space it
Limited to series of 25 with COA.
4-6 week fabrication time
- Measurements
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L41 x W41 x H3 in
1,100 LBS
- Condition
- New
- Materials
- Black Walnut, Gold Mirror
- Seller
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James de Wulf
James de Wulf is an American artist and designer whose practice unfolds at the intersection of collectible furniture, sculpture, and exhibition design. For over two decades, he has worked with concrete, stone, steel, and other materials, combining craftsmanship with a sensitivity shaped by experimentation and cross-cultural inspiration. In his hands, materials are poetically pushed beyond their assumed limits. Their properties are extended, their nature reimagined, and allowed to speak differently. And just like that, aluminum—neat, minimalist—becomes musical in a resonant ping-pong table, where each movement produces sound, and play becomes performance. Concrete, heavy and inert, is animated by organic patterns reminiscent of branches, roots, and animal exoskeletons. Stone, traditionally defined by weight and permanence, is reinterpreted as pliable, capable of conveying the fleeting, delicate lightness of flowers. Across his work, monolithic sculptures and brutalist geometries seem suspended in time, hovering between echoes of ancient civilisations and Sci-Fi imagination. “It all began with a visit to a concrete factory, and later the discovery of the work of Italian architect Angelo Mangiarotti,” de Wulf reflects. “Watching concrete move from liquid matter to architectural presence unlocked my fascination with design.” Transition lies at the core of his creative language. “My work always starts with materials. In some ways, I feel part alchemist, part maker,” he says. Quoting French chemist Antoine de Lavoisier—Nothing is created, everything transforms—de Wulf frames his work as an exploration of flux. “Matter and essence are in constant motion. With my pieces, I seek to capture the quiet poetry of transformation: the subtle shifts occurring between atoms, and those extending far beyond them.” Aluminum steel becomes sound, concrete appears alive, minerality turns ephemeral. James de Wulf has presented his collectible designs at leading international platforms including Design Miami, Salon New York, and Paris Art Week. His practice reflects the curiosity of an explorer. Having lived in Los Angeles, Berlin, Copenhagen, Malmö, and Koh Samui, he is now based in Maui, Hawaii, while continuing to travel in search of new perspectives. “Every new project,” he says, “is an exciting journey.”
- Minimalist
- Contemporary
- Organic